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Befriended by Brendan Mullen, the two teens are extended an open welcome into the LA punk scene by one of its true progenators. In Fall of 1977 Rikk and Gordon take a "borrowed" car to Hollywood for the first of many nights to hang out at the legendary "Masque". The Detours, along with the The Middle Class, represent the first generation of OC punk bands to break into the Los Angeles Punk scene- as the earliest days lacked any venues for punk in Orange County - beyond back yard parties.
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former members of the band include drummers Casey Royer, the Mighty Stevie Drt, Paul Kostabi, Jon "Carrot" Stevenson, Craig Briscoe, John Knight, Shawn Coe, Steve "Gee" Guevara, Noah Lysek, and guitarists Bruce Boyd, Mike Koerber, Dan Colburn, Frankie Agnew Jr, Steve "Gee" Guevara, Leo Atreides, Craig "chicken head" Jewitt. Members of The Detours have gone on to play in Social Distortion, Adolescents, TSOL, Christian Death, DI, 45 Grave, White Zombie, and many more. In the late 70's this Fullerton punk rock crucible created the now familiar OC sound and anthems covered years later on albums by the Adolescents, and DI as well as showing up later on Rikk's solo projects. The Detours point to The Damned, Iggy and the Stooges, The Ramones, and David Bowie as the influences for the band's sound. In mid 1979, Casey Royer, only months after joining Social Distortion, quits to play drums in The Detours, rounding out the quintet and allowing Rikk Agnew to move to lead guitar duties. Guitarist Bruce Boyd served in the early days- playing the first gig, with the band eventually settling on the machine gun style of power chording guitarist Mike Koerber. Though the band’s name is humorous and at times hard to say without turning the conversation into a potential Abbott and Costello routine, they’ve maintained a legacy that won’t fade anytime soon.The Detours, a pioneering Southern California punk band from Fullerton, formed in 1977, by Gordon Cox, Rikk Agnew, Jeff Beans. Today, all the hard work-and the decision to land on the name The Who-has paid off. They had a new manager and were securing auditions with record companies like Fontana Records. In 1969 the band came to be known for its concept album, Tommy, which included the hit “Pinball Wizard.”īy the time the band had taken on the moniker, The Who, they had found their footing in the U.K., playing regular gigs of note. A number of hits followed, including “My Generation” in 1965 and more. The band’s first single as The Who was “I Can’t Explain” in 1965. Townshend reportedly liked the name The Hair, and Barnes liked The Who because it had “a pop punch.” The next morning, Daltrey chose “The Who.” So, Daltrey and company changed their name.Īccording to legend, Townshend, now in the group, and his housemate Richard Barnes spent a night pondering name options, focusing on a theme of joke announcements. Johnny Devlin had a group called Johnny Devlin and the Detours. But in February of 1964, the band came to find out that there was another group by that same name. Other band members came and went from The Detours. With him in tow, the band played instrumental songs by The Shadows and The Ventures, along with a number of pop and jazz covers. Later, in 1961, Entwistle suggested adding a guitarist-specifically Townshend, on lead guitar. In 1959, he founded The Detours, a group that went on to play corporate gigs and weddings.Īt some point along the way, Daltrey, by chance, saw Entwistle on the street carrying a bass and he recruited him into The Detours. At 15 years old, he was expelled from school and found work on a construction site. It was around then he discovered gangs and rock ‘n’ roll. They established themselves as part of a major scene in London in the early-to-mid-1960s, often rampaging on stage, destroying everything from guitars to drums.Īs a teenager, Daltrey had trouble fitting in at school. Instead, the band went by the name The Detours.